New Music 2025

Composition and Variation Techniques

Music, New Music Exact Temperament A = 384

Tempo/s -/ Change/s of Tempo/s

to -/ from Tempo/s as fast as Pitch Cycle/s / second,

the Transposition / Tuning to A = 256

is, from 2 : 1 Proportion, up from 1 Pitch Cycle/second

of / for / from the 2 : 1 Proportion from Pythagoras,

for New Music Tuning/s

-/

Tuning System/s

as / for Music, New Music frequency -/ frequencies,

as of Performance

of all of the Pitches of a Chord at the same Time

-/

Flutter/s of Performance of the Music, New Music Notes

as fast as -/ faster than a Strum

-/

Glissando/s

of -/ for Performance of the Scale -/ Chord form Arpeggio/s

as fast as the Glissando/s,

no distortion of Pitch / Pitches,

with Music Notes of Music Melodies

-/

Music Notes of Music Melodies

with all of the same Music Note durations

beyond "Classical" Music Segues

-/

full harmonization of the Music Notes of Music Melodies

with all of the Music Notes of the Music Melodies

as the Fundamental Pitches/Root Pitches,

the 1-Tones

of the 135 Chord form Pitches of the 7-Tone Scale/s,

the 7-Tone Music Scales of / as the Ancient Greek Modes

for, from all of the 7-Tone Music Scales of the increments

of the 7-Tone Scales with added First 7-Tone Scale Tone for Octaves

of every 7-Tone Scale starting from every Pitch in the Key of C

for, from Ancient Greek Modes,

up to- and including New Music Compositions -/ Variations

of 100% of New Music frequencies

-/

Flutter/s

-/

Glissando/s

-/

Arpeggio-/s,

of / for / from

Music Melodies

-/

Music Notes of the Music Melodies

of -/ between all of the Music Notes of the Music Pitch Range,

of the Octave/s

-/

full harmonizations of the Music Notes of Music Melodies

as the Fundamental Pitches/Root Pitches of the 135 Chord form

of the 7-Tone Scale/s,

of the musically appropriate 12-Tone Transposition/s

of / for / from the Music Notes of / for / from Music Cadence/s

-/

Theme/s

-/

Hook/s

-/

Riff/s

-/

Phrase/s -/ Section/s

-/

Movement/s -/ Section/s -/ Composition/s,

for Progression/s

of the Music Notes

-/

Chords / Intervals from Chord form/s,

as -/ of -/ for -/ from a Melody -/ Melodies

-/

Chord Progression/s / Progressions of the Intervals of the Chord forms

as fast as Glissandos -/ Flutters -/ Pitch Cycles

-/

Glissando/s as fast as Flutters

-/

Flutters as fast as Pitch Cycles,

of the musically appropriate dynamic Phrasing/s

as / of -/ for -/ from Music, New Music Ornaments

-/

Flourishes -/ Cadences

for Music, New Music

Compositions -/ Variations

-/

Compositions of Variations!

...always, with Permission when necessary!

..."Good Luck"!

Copyright (c) 2025 PRJ Sokolich, P. R. Sokolich, Philip R. Sokolich, Philip Sokolich

My New Music

of the Music 2 : 1 Proportion from Pythagoras for Pitch Cycles / second of frequency Tuning / Transposition/s Tuning/s,

THE Music Metres / Meters as THE Time Signatures, Music Note Durations of THE Rhythmic figures, Rhythmic Pulse, of the Tempo 60,

of sustained musical instrument -/ Chorister pitches, one Music Note / second,

to -/ for -/ from New Music Proportions,

New Music Rhythmic figures with New Music Note Durations of THE Rhythmic figures to -/ for -/ from a Rhythmic Pulse / Rate,

Rhythmic Pulses / Rates, for Music for Relaxation, Dance, as for / from Music Rhythmic figures from Ancient Greek Poetic Feet, Exercise,

New Music Rhythmic figures of the New Music Note Durations,

for / from classic -/ "Classical" -/ contemporary Proportions from Music, Dance, and Poetry of the short / long -/ high / low -/ soft / loud,

for / from Music, New Music Rhythmic figures of Music Notes short of figures of short, high, soft,

short Music Note durations in Music Rhythmic figures for / from high, soft, long Music Note durations for / from long, low, loud

of -/ for / from Music, Dance, and Poetry, of -/ for / from Positions, and Positions from Poses and Postures,

and from Poetry Passages, Text Paragraphs,

 of -/ for -/ from Rhyme/s from within -/ of lines -/ verses of Poetry, and Songs,

and for / from Proportions of the sizes of the Paragraphs within / of Texts,

with Music Rhythmic figures -/ New Music Rhythmic figures for -/ from dynamic Phrasing/s

for New Music Compositions -/ Variations

-/

Compositions of Variations!

My New Music 12-Tone Transposition/s

of the first, or last, Music Note of a Music Melody -/ Sequence of Melodies as musically appropriate for the most musical sound

to Transpose the whole Melody -/ whole Sequence/s of Melodies to the first Music Note of the same, or, other, Music Melody

-/

first Music Note of the first Melody -/ other Music Note/s of the Melody -/ Sequence/s of Melodies,

as musically appropriate,

to -/ from Tempo/s as fast as Pitch Cycles,

with no distortion of the Pitches,

then, to Transpose the Transposition/s above further to the Pitches of the Chord forms for Arpeggio-/s of the Transposition/s

for every Chord, Chord form, of a Chord Progression -/ Sequence of Chord Progressions

-/

Harmonization of all of the Music Notes of a Melody -/ Melodies as Fundamental/Root Pitches of the 135 Chord form

of the 7-Tone Scales

-/

Harmony -/ Harmonies,

as for Transposition/s, as descibed above, to -/ from all of the Music Notes / Music Notes as Fundamental/Root Pitches

of all of the Music Notes of the Chords / Chord forms, of a Music Theme -/ Tansposition -/ Sequence/s of Music Theme-/s

-/

Hook -/ Transposition/s -/ Sequence/s of Hook-/s

-/

Riff -/ Transposition/s -/ Sequence/s of Riff/s

-/

Segue/s -/ Transposition/s -/ Sequence/s of the Segue-/s

-/

Cadence -/ Transposition/s -/ Sequence/s of Cadence-/s

-/

Transposition/s / Sequence/s of the Introduction-/s -/ Finale-/s of Music Composition-/s

-/

Transposition/s -/ Sequence-/s of Movement-/s -/ whole Music Composition-/s

for Music, New Music

Compositions -/ Variations -/ Compositions of Variations!

...always, with Permission when necessary!

...always, with Permission when necessary!

My New Music

 12-Tone Glissandos

Performance of all of the individual 12 Tones as a Variation for Music Note -/ Music Chord / Chord form Glissandos/Slides,

for Progressions

from a Music Note to -/ from another Music Note,

as for -/ from 7-Tone Scale/s Music,

12-Tone Transposition/s to -/ from a Melody to -/ from another Melody

-/

Melodies

-/

Transposition/s for a Melody Sequence -/ Sequence-/s of Melodies

-/

Chord/s, Chord form/s, Progression/s -/ Progression-/s Sequence/s of the Music Chord/s / Chord form/s

-/

Performance/s -/ Transposition/s -/ Sequence/s of the Music Theme/s -/ Music Hook/s -/ Music Riff/s

-/

Music Harmony -/ Music Harmonies

-/

Phrase/s -/ Section/s of Music Measures -/ Segue/s -/ Movement/s -/ Composition/s of Music,

Music, New Music Variation/s

up to- and including a whole Music Composition -/ whole Music Compositions -/ Song-/s

-/

Music Composition Suite-/s -/ Suite-/s of a Music Composition-/s

-/

Song-/s Cycle-/s

-/

Music, New Music Composition/s of 100% Music, New Music Variation-/s!

...always, with Permission when necessary!

My New Music

New Music Composition and Variation Techniques

New Music Composition Development, of Variation Techniques

12-Tone Transposition/s -/ Octave-/s to Octave-/s Transposition/s as Glissando-/s -/ Scale-/Chord Arpeggio-/s of a Music Melody

-/

first Music Notes of the same Music Melody as Fundamental/Root Pitches of the 135 Chord form of the 7-Tone Music Scale/s

as Glissando-/s -/ Scale-/Chord Arpeggio-/s of the Melody as 135 Chord Progression for Arpeggio-/s of the same 135 Chord form

of the appropriate Octave-/s as Chord Progression to Transpose all of the Music Notes of the same Music Melody

as 135 Chord form full harmonization of the Music Melody

as a Cadence -/ Introduction -/ Segue -/ Finale,

as for this same New Music Composition Development/Variation Technique of -/ for -/ from Music Theme-/s -/ Music Hook-/s -/ Music Riff-/s -/

Section-/s of Movement-/s of the Music Composition-/s,

individually 100% audible and individually 100% intact with musically appropriate Tempo/s, and, appropriate Orchestration

with Solo Voice/s of a Choir -/ Choral Section/s -/ Choir -/ Musical Instrument/s of a Soloist -/ Soloists -/ Orchestral Section/s -/ Orchestra

beyond full Choir -/ full Orchestral full harmonization-/s of a Melody for a Segue -/ Segues of / for / from Changes in Mood / Tone

of / for / from Scenes in a Play -/ Motion Picture -/ Movement-/s of a Music Composition, Movements for Reprises / Segues

-/

Finale-/s, Finales for multiple Finales one immediately after another, of / for / from a Music Composition!

...always, with Permission when necessary!

My New Music

 The Temporal Art of Durations of Music Notes of Music Pitches AND Rests in between Music Notes of the Music Pitches

and in- and in between Music Rhythmic figures, Music Rhythmic Phrases, and Music Movements of Music Compositions,

with Music Rests of Durations of the classic -/ "Classical" -/ contemporary Proportions of -/ for -/ from Music Rhythmic figures,

Music Rhythmic Phrases, Dynamic Phrasings, Music Rhythmic figures, Music Rhythmic Phrases, Music Dynamic Phrasing/s,

and Music Rhythmic figures and Music Rhythmic Phrases for Music Dynamic Phrasing/s,

Music Cadences as / of / for / from Signals

of the Proportions / Durations of / between Music Notes of the Music Rhythmic figures / Phrases / Phrasing/s / Movements

of the Binary Codes of Telecommunications for Letters of the Alphabet, Numbers, and other Symbols of -/ for -/ from Music Rhythmic figures,

as of the Music Rhythmic figures / Phrases / Phrasing/s / Movements

of / for / from Binary Code of Computers of / for / from Music Compositions!

...always, with Permission when necessary!

...my New Music

Sound wavelengths from Light wavelengths for New Music,

Light wavelengths from Sound wavelengths for Light shows

of 2 : 1 and 1 : 2 Proportions,

convert the Light wavelength/s, nanometres/nanometers, nm,

for every one -/ sequence of the Light spectra / colour/s/color/s

to Sound wavelength/s, Hertz and kilohertz, Hz and kHz,

and

continue to Divide by 2

for Value/s of Audio frequency / frequencies

of Hertz, Hz and kilohertz, kHz,

and,

convert the Value/s of Audio frequency / frequencies

from Hz and kHz to nm
and

continue to Multiply by 2

for Value/s of Light wavelength/s from Sound wavelength/s!

...always, with Permission when necessary!

...from my New designs of the New Colours/Colors and the New combination/s of Colours/Colors

of the Colours/Colors in / of mulitiple Visible Light spectra

include my online designs of the translucent overlays over solid colour/s/color/s -/ combination/s of colour/s/color/s

 in various and varying adjustment setting/s -/ multiple setting/s for

brightness -/ brilliance -/ intensity -/ tint -/ hue -/ saturation -/ vibrance...

of every one- and number of the spectra of colour/s/color/s and combination/s of colour/s/color/s of Visible Light

Laser, as from Infrared Light, and Infragreen Light, Metallic, Fluorescent, Phosphorescent, Iridescent...

all with Light wavelength-/s as of the Light wavelength-/s of Combination/s -/ Hue/s of Colour/s/Color/s

of Visible Light,

New Light shows with New gels, New Graphic Art, New Tone/Tint highlights for Photographs....

...my New Music Theory and Composition

with my New Music Composition and Variation Techniques,

Charts of Light wavelengths, nm, colours/colors for Proportions for Sound wavelengths in Hz and kHz,

and, from numerical values of frequencies of the nm Cycles for hues,

and, from numerical values of frequencies of Hz, kHz, for Pitches / Transposition/Tunings of Pitches

Transpositions of whole Music Compositions and Songs to A = 384 and A = 256!

...always, with Permission when necessary!

...of the 1 : 1 correlations, from numerical values,

nm of the same exact numerical values of Hz, Music Pitch frequencies,

Hz from 2 : 1 Proportions of the kHz numerical values, too,

including 2 : 1 and 1 : 2 Proportions

for / from Music Pitch frequencies,

as numerical values of nm to see Colours/Colors,

Colour/Color Ranges...

enter the numerical values and see the spectra of the Colours/Colors!

www.405nm.com ,

www.rgbcolorpicker.com ,

and,

www.rgbacolorpicker.com

includes an Image Color Picker

to upload Images,

extract a Color from Images,

or, upload an Image of a Color

you save in your PC folders

for rgba values of the Color

with rgba values of the subtle Color Hues

when you download,

www.rgbtohex.net ,

www.encycolorpedia.com

for partial frequencies with whole frequencies,

as from your online Search Results,

as, for example, nm of metallic blue,

and you can calculate -/ look up for HEX,

hexadecimal code,

for Views of Colours/Colors, Hues...

Combinations of Colours/Colors / Hues

in Spectra!

...my New Music

Composition / Song Cycles

New Music Variation Techniques

I Transposed a recent Song Re-release

re-mixed

to A = 384, awesome,

then Transposed a Tchaikovsky Waltz

to A = 384, awesome,

both with adjusted Tempo

to the lengths of the Compositions

with no distortions of Pitches,

the Vocals of the Song sound AWESOME,

as do the lowered Choir Ranges of the Waltz with awesome Tones of Bells,

all re-mastered most musically

in the musically appropriate Dynamic levels

/

Volume settings,

then to Transpose these Modes

to the consecutive Pitches of a Cadence

-/

Sequence of Music Cadences

-/

Phrase -/ Sequence of Music Phases

-/

Melody -/ Sequence of Melodies!

...always, with Permission when necessary!

...my New Music

New Music Composition and Variation Techniques

Proportion, for 1 Scale for all of the Wavelengths

of all of the Pitches, Intervals, Chord forms

and all of the Colours/Colors / hues of the 4 Colour/Color model

for all of the Pitch Range of Music Pitches and Colours/Colors / hues,

of the 1 : 1 Correlation

of the numerical values of the wavelengths, of Sound : Light,

Pitch : Colour/Color, hues with Hz : nm,

from / with range

of the 380 - 808 nm of the Primary Colours/Colors, with hues,

of, from

nm : Hz 384, 416, 448, 480, 512, 544, 576, 608, 640, 672, 704, 736,

including numerical values in between for / from Pitch glissandos/bendings

/

hues,

lower Octave Pitches and upper Octave Pitches of the Colours/Colors / hues

of the appropriate Proportion of the Brightness and Contrast of the 12 Tones

of 384 - 736 nm, Hz for appropriate Proportion / Tuning for fluorescence

of the Primary Colours/Colors / hues,

beyond online Colour/Color / hue palette charts

of the Colours/Colors

and thousands of hues,

as of Behr paints,

up to- and including the whole range for all of the wavelengths

of all of the Colours/Colors / hues

for Productions of the Colour/Color compositions

with new gels for stage lights for Light shows

to highlight the Music Pitches

before -/ during -/ after Sounding of Music Pitches / Intervals / Chord forms!

...always, with Permission when necessary!

...as from spectra of colours/colors / hues from editors with online window of gradients of colours/colors / hues,

produce the custom 4-colour/color model over 8 Octaves -/ Pitches -/ 4-colour/color model in pairs,

of bright fluorescent yellow  - metallic medium - dark gold, bright fluorescent red - dark red, bright fluorescent green - forest green,

bright fluorescent blue - dark blue, additions for a 6-colour/color model in pairs with fluorescent pink - fuschia and turquois - azure,

and a 7-colour/color model with bright fluorescent Purple - dark Purple,

with hues of all of the above as gradients, too,

for Pitches / Pitch Glissandos/Bendings / subtley combined Pitches for Pitches -/ Intervals -/ Chord form-/s in Progressions -/ Sequences

-/

7-Tone -/ 12-Tone Scales -/ 7 -/ 12 Tone Scales for Arpeggio-/s -/ Glissando-/s -/ Flutter-/s -/ Ornament-/s

-/

Pitch Cycles / aggregate / average frequencies -/ Tuning-/s -/ Tuning System-/s

as-/of -/ as-/of the proper Proportions of the wavelengths of nm of the colours/colors / hues for Light gels, for a Light show,

for / from Pitches of a Cadence -/ Sequence-/s of Cadences -/ Melody -/ Sequence-/s of Melodies -/ Riff -/ Sequence-/s of Riffs

-/

Hook -/ Sequence-/s of Hooks

-/

Movement -/ Sequence-/s of Movements

-/

Segue -/ Series - Sequence of Transposed Segues / Composition / Movement Theme-/s / multiple Introductions / multiple Finales,

as of Reprise-/s of the above as Variations in Tone for Segue-/s of a Movement -/ Movement-/s,

New Music Compositions -/ Variations -/ Compositions of Variations of A = 384, and Transposition/s -/ Tuning/s of A = 384 for A = 256,

and all other Tunings -/ Sequences of complementary Music Tunings!

...my New Music

Theory and Composition

Composition and Variation Techniques

My New Music 2025 Arrangement

of Choristers and Full Orchestral Brass

of Music in the Public Domain,

the Tchaikovsky Waltz of the Snowflakes

for Introduction / Cadence / Segue

with Music Notes of the same duration

of

B-A-G-A-B | D-E-C-B-A | B-A-G-A-B |

D-G-E-C-B-A-A-G-B

as development

to precede the Waltz,

a Tone Segue of the Waltz

with Music Notes of the same duration

during the Waltz,

and, the Music Note sequence

for increments, Modes, of Scales

 for Music Transpositions

for Music up to- and including a Composition for a Composition Cycle!

...my New Music

New Music Theory and Composition

Composition and Variation Techniques

Tchaikovsky Waltz of the Snowflakes

New Music Variations

for a New Music Ornament,

Glissando, Segue, Cadence, Flutter, Riff,

Waltz Movement -/ Composition Cadence,

Glissando, and Tempos of a Pitch Cycle...

some combined,

and some interchangeable,

and some for full effect of multiple techniques

as of the Gliss for the full effect of Arco Gliss,

all of the same Pitch Sequence

in various Tempos,

of audio processing for a Traditional Venue,

airy,

yet quite dampened at the same Time,

with materials of the Concert Hall,

for New Music Composition,

Compositions -/ Arrangements -/ Variations!

...My New Music 2025

New Music Theory and Composition

New Music Composition and Variation Techniques

My New Music A = 384

Arrangement/Variation

of appropriate Tempo

for appropriate 12-Tone Transpositions

for appropriate Tuning

for appropriate Classic, Classy "Classical" Orchestration

of Pitch Bending of the Detuning effect for Pitches

for appropriate Tone

for Mood,

Change of Mood,

for a Segue

as if the Music of the outdoor sounds

of / for / from a windy Winter scene,

as for / from a Motion Picture Soundtrack for a scene,

of the Sequence of the first of the five Notes

as fast as a very fast, smooth Strum

for additional Transposition of the whole Sequence

 as individual Pitches to the appropriate Pitch levels

of the first five Notes of the Tchaikovsky Waltz section

of his Waltz of the Snowflakes,

the Segue before, during, or after Waltz of the Snowflakes

for Waltz of the Snowflakes

as if calm after, during, or before Music

of the Sounds from Nature, from a Storm!

My New Music

New Music Theory and Composition

Composition and Variation Techniques

My New Music 2025 A = 384 from A = 448,

Transposition / Tuning for A = 448

Tchaikovsky Waltz of the Snowflakes

The first five Notes of the Waltz section,

Cadence!

My New Music

New Music Theory and Composition

Composition and Variation Techniques

My New Music A = 448

Classic, Classy Pianoforte

Cadence

of the first five Music Notes

of the Waltz section

of the Tchaikovsky Waltz of the Snowflakes

in 8 consecutive Octaves

of Tempos for a slow Arpeggio,

faster, as a Glissando,

faster, as a Flutter,

faster, of the effect of the Music Pitches

of the Octaves

as if Performance of the Music Notes

of the Music Pitches of the Octaves,

the Pitches of the Pitch Classes,

at the same Time

beyond full effect of the Chord form

as single Aggregate and Average Pitches!

...my New Music

New Music Theory and Composition

Composition and Variation Techniques

My New Music A = 448

Carillon Cadence and French Horn Cadences

of the first five Notes

of the Waltz section

of Tchaikovsky Waltz of the Snowflakes!

...my New Music

French Horn Cadences

of the first Ten Notes

of the Waltz section

of Tchaikovsky Waltz of the Snowflakes!

...my New Music

French Horn Cadences above are from within 7 Octaves

of a French Horn with Pitch Range

as of the whole family of Horns and versions of French Horns

as if a family of musical instruments,

a very small representative sample

from All of the Mathematical Combinations

of All of the Mathematical Subsets

and All of the Derivatives of All of the Subsets

of All of the Sets and All of the Subsets of 7 Objects,

as of the Pitches of the Pitch Classes, of the "Octaves"

of the 7 Tones of the 7-Tone Scale,

7 Music "Figures" of the Fundamental/Root Pitch,

the Interval of the Fifth of first and fifth Tones of the 7-Tone Scale, the Scale Increment of the fifth the fifth Tone of the 7-Tone Scale,

the 135 Chord form of the fist, third, and fifth Tones

of the 7 Tone Scale/s

with Pitches and Octaves in 100% Proportion, Temperament,

and Tune

for the full effect of a Melody as a Chord Progression,

the Intervals of the 1 and 3 Tones and the 3 and 5 Tones,

and,

the third Scale Tone of the 7-Tone Scale!

...of the numbers of the Sets AND of the Subsets

of the Permutations of all of the Dynamic levels of the same 7 Music "Figures" beyond the Combinations of the Sets and the Subsets of the Factorial Products of the 7 "Ocatves" AND 7 "Figures" of the Exponential Product

of the 7th Power of 7!

...from a very old example, all of the Orders of the 6 whole numbers of the same 6 numbers 1 - 6 of the sides of 6 identical 6-sided dice

after rolling all 6 dice, 6 to the 6th Power, these days as 6^6,

as for all of the Combinations and all of the Subsets of 7 Music "Figures" in 7 Music "Octaves" above of 7 to the 7th Power, or 7^7,
add 0 to 7 Objects, for 7 Music "Figures" in 7 Music "Octaves",

and obtain a list of all of the Combinations AND Subsets of all of the 7 Music "Figures" in all of the Combinations and Subsets of 7 Music "Octaves"

from 8 to the 8th Power, or 8^8, less the empty Set of all Zeros / Zeroes,

then,

with Music Dynamic / Volume Ranges, Music Dynamic / Volume Levels,

to say the least,

the added lowest Octave of the French Horn for 8 Octaves of the Horn,

the Zero/s / Zero/es for the Octave/s represent/s an added empty Octave of Distance of audible added Pitch Range,

then, to Maintain and Further Tradition of THE Brass of French Horn and other Brass instruments,

an added Piccolo

for added thirds and fifths of the highest Octave,

all of the above 100% audible, and 100% audible together,

with added First- and Second Inversions of the 135 Chord form!

...my New Music

a fun memory from Band Classes, low Tuba sounds like a flutter... added a Piccolo for high-highest,

my New Music A = 448 Tchaikovsky Waltz of The Snowflakes Cadence of the first Ten Notes of The Waltz section,

Low / High Octaves of 9 consecutive Octaves,

and then

my New Music A = 448 Tchaikovsky Waltz of The Snowflakes Cadence of the 135 Chord form,

Fundamental/Root Position and Inversions at the same Time!

...my New Music

A = 448 Tchaikovsky Waltz of The Snowflakes Cadence

of the first Ten Notes of the Waltz section for Fundamental/Root Pitches of the 135 Chord form, second Inversion, Arpeggio up of the Music Notes!

...my New Music A = 448 further,

awesome New Music Cadence -/ Segue of Orchestra Bells,

the first ten Music Notes of the Tchaikovsky Waltz of The Snowflakes

in an Arpeggio up of three Pitches of the Pitch Classes of three consecutive Octaves!

...my New Music

A = 448

Tchaikovsky Waltz of The Snowflakes Cadences

Organ, Bells, Chimes, Organ and Bells!

...my New Music

A = 384, the Transposition / Tuning from A = 448,

my A = 448 Tuning, above,

for all of the Intervals of all of the Pitches and Octaves in 100% Proportion, Temperament, and Tune,

my Music Composition Development as Segues -/ Cadences -/ Reprises from my Melodies transposed to other Melodies

for 100% audible Multiple Melodies at the same Time,

and my New Music of the Pitch-/es -/ Interval/s -/ Chord form-/s of the 135 Chord form of -/ between Music Octaves -/ Multiple Octaves

for New Music productions with more musical, and most musical, sounding combinations of / for New Aggregate / Average Pitches,

New Music up to- and including New Music Compositions -/ Variations

with Combinatorics, Permutations -/ Combinations -/ Combinations with Repetitions

-/

Combinatorics, with Permutations -/ Combinations -/ Combinations with Repetitions

of the Permutations -/ Combinations -/ Combinations with Repetitions

of the Music Pitch/es / Interval/s / Chord form/s / Set/s / Subset/s / Octave/s Position/s as Objects

for Permutations, Combinations, and the Combinations with Repetitions of those Objects

/

Pitch/es of the subtle Pitch/es bending-/s from natural / designed -/ articulated articulation/s of musical Voices -/ Instruments

of the individual Music Notes 100% audible as very subtle multiple Tunings, one to another,

the quality / sound of those Tones / Sounds of musical Voices / Instruments

of the individual Pitches of those musical Voices -/ Instruments to -/ from other Pitch/es -/ Interval-/s / Chord form/s,

for New Music Compositions -/ Variations!

...my New Music

with Permutations, Combinations!

Permutations, and, Permutations with Repetitions!

Combinations, and, Combinations with Repetitions!

...for New Music with Permutation/s -/ Combination/s

+/-

Repetitions

of the Object/s

-/

Set/s of Object/s -/ Subset/s of Object/s

of

Music Pitch/es / Interval/s / Chord form/s / Octave/s Position/s,

to say the least!

...for Permutations of the complete Sets of unique Objects with no repetition/s of the Objects,

the factorial product of the n factorial, n!

...my New Music

A = 448

Tchaikovsky Waltz of The Snowflakes in 1357 Chord form, Arpeggio up of the Chord Tones, Cadence for Segue,

for my New Music of the Pitch/es -/ Interval/s of the 1357 Chord form/s within up to a 9 Octave Range, to say the least,

including Arpeggios of the 1357 Chord form/s and Inversions with Fundamental/Root Pitches for -/ from Melodies -/ Scale Runs

for New Music Compositions -/ Variations!

...always, with Permission when necessary!

...my New Music

A = 448

Tchaikovsky Waltz of The Snowflakes Cadence with French Horns of the 1, 3, 5, and 7 Pitches of the G Major 7-Tone Scale,

Chord Tones of the 1357 Chord form!

...my New Music

A = 448

I added all of the high Chord forms, Chords with added Chord Tones, with all of the Inversions

and new forms of the Inversions

to add all of the combinations of the individual Pitches, Intervals, and Chord forms and Inversions in up to nine consecutive Octaves,

to say the least!

...my New Music

A = 448

Tchaikovsky Waltz of The Snowflakes Cadences,

Bells, Chimes, and Bells with Chimes, my Articulations of my Performance Mode / Mood,

French Horns, my Articulations of my Mode / Mood, Tone, for Orchestral Composition Tone!

...my New Music

A = 448

Tchaikovsky Waltz of The Snowflakes

Waltz section introduction

French Horns 135 Chord form with added Chord Tones

for a very high Chord form

for a new musical sound of outdoor Winter winds

with all of the Chord Tones of all of the inversions

and added 135 Chord Tones in the highest Octaves

for a Chord form of audible 16 Chord Tones

for Variations / Sets / Subsets

of all 16 Chord Tones

and

16 to the Power of 15,

and,

a Bell Cadence of the 137 Chord form,

the individual Tones fully audible

with musically appropriate dynamic levels

of the Dynamic range/s

-/

Orchestration/s

of / for

Chorister/s -/ Choir section/s -/ Choir/s

-/

Piccolo/s -/ Flute/s -/ French Horn/s -/ Oboe/s -/ Clarinet/s

-/

Trumpet/s -/ Trombone/s -/ Tuba/s

-/

Harp -/ Viola/s -/ Violin/s -/ Cello/s -/ Double Bass/es

-/

Pianoforte -/ Orchestra Bells -/ Celesta

-/

Symphonic Chimes

-/

Vibraphone

-/

Carillon

-/

Timpani,

to say the least!

...my New Music

Maintain and Further Tradition

with Music from musical pitches of Nature Sounds with musical Voices, then Instruments, families of musical Instruments,

as one musical Voice -/ Instrument for all of the Pitch Range with appropriate dynamics / durations of Music, New Music Notes

and musically appropriate Changes of the Performance Technique/s for Articulation/s

for most subtle Change-/s of the Natural -/ affected Tones of the Pitches

to- and from Natural -/ affected Tone-/s of the Chorister-/s -/ musical Instrument-/s,

with custom mallets, plectra, to say the least, wearing 100% silk gloves for articulations with Strings,

Winds with apertures for your fingers for articulation/s of music pitches,

customized / customizable controllable mechanical stops over apertures of Wind musical instruments

for articulation/s of music pitches...

Venue setting/s, Eq settings... and, the 100% effects of New Music Performances / Compositions with Virtual Studio Technology

for new musical instruments,

New Bell Keyboard instruments as Carillon Piano,

and, Full Orchestral Brass Piano, to say the least, beyond Prepared Piano,

including New Music keyboard musical instruments with New Music Blends -/ Mixes of the Tones / Pitches

of the Octaves of multiple musical instruments beyond Piano / Bells, beyond Piano / Harp

with increased effective Pitch Ranges of up to over eight Octaves of the musical instruments with custom musical instruments

fully audible with no distortions of Pitches of the sounds and sound libraries of musical Instruments

of / for Virtual Studio Technology Instruments!

...my New Music

A = 448

Permutations of the Combinations, as the Factorial Products of the Combinations,

with Mathematical Formula n to the r, the x to the y key on a Scientific Calculator, as the n in n!, as n!,

the Factorial Product, the n Factorial, of the Arithmetic Operation of the Base Number and the Exponent, Exponentiation, of 16 Pitches of the 135 Chord form of the Octaves, to the Power of 15

...my New Music

A = 448

with Music Scales / Music Modes / Music Melodies and Music Scales / Music Modes / Music Melodies Transposed

as Sets and Subsets

of the Pitches and Intervals from Chord forms

of / between all of the Octaves

of the effective Pitch Ranges, and of the expanded effective Pitch Ranges,

of the musical Voice/s and musical Instruments,

as of the Music Chord form 135 between the repetition of the 1st Chord Tone of the 135 Chord form in the Octave under

the 135 Chord form,

with repetition of the 5th Chord Tone of the 135 Chord form one Octave over the 135 Chord form,

two, to say the least, of the same Interval of the Intervals of the 135 Chord form in two consecutive Octaves, to say the least,

the two overlapping Intervals of the 135 Chord form, 135 Chord form Intervals of Chord form Tones / Pitches 1 and 3

of the 135 Chord form

and the 3rd and 5th Tones / Pitches

of the 135 Chord form

one Octave apart, to say the least,

the same Pitch of the Pitches of the 135 Chord form within up to Nine consecutive Octaves,

to say the least!

...my New Music

A = 448

Maintain and Further Tradition

the same -/ complementary Traditional- and New Tone/s from Chorister/s

and the same -/ complementary Traditional- and New Tone/s from musical Instruments and families of musical Instruments

to 100% effect 1 musical Chorister -/ musical Instrument of the same Tone

and versions thereof

over the whole Pitch Range,

Traditional -/ New Tone control -/ controller/s with Traditional -/ New Dynamic ranges and Dynamic levels

and Traditional -/ New materials -/ devices -/ Performance Technique/s

to articulate the same -/ complementary Tone/s!

...for Music, New Music sequences, Scales -/ Modes -/ Melodies... up to whole Compositions -/ Variations -/ Songs...

for Music, New Music as fast as frequencies, as for Pitch frequencies for Music Pitch Tuning fequencies with no distortion of the Pitches,

and, for Music, New Music Tempos for Riffs, Glissandos, Flutters, Ornaments, to say the least!

...always, with Permission when necessary!

...from my New Music Composition and Variation Techniques of 2024, PRJSokolichNewMusic2024.webstarts.com,

more Music, New Music

Transpositions for musical Pitches, from sounds from Objects, Nature -/ fequencies of Music Pitches

-/

Music Scales you see from Encyclopedias of Music Scales, to say the least

-/

Music Modes, Ancient Greek Modes of the Transposition/s of the increments of all of the Music 7-Tone Scales for Music Transpositions

of up to- and including complete Music, New Music Compositions -/ Variations, and Songs, too, all 100% audible at the same Time

beyond Music Compositions of 3- and 4-part inventions of the individual 100% audible 3- and 4 Melodies at the same Time,

and beyond the "Classical" Music Compositions of J.S. Bach for Strings with Music Notes of over a dozen Melodies, to say the least,

with Music Notes at the same exact Time

for 100% sound of yet other Music,

to say the least!

...always, with Permission when necessary!

...always, with Permission when necessary!

...thank you!

...my New Music

A = 448 Exact Temperament Tuning

and all of the Transposition/s / Tuning/s to / from A = 448 for all of the other Exact Temperament Tunings

of mathematical Sets and Subsets of Music Tones, Pitches, Intervals, Chord forms, and Octaves

and Tones of articulations of Performance Techniques to effect sound/s as if New Musical Chorister/s / Instrument/s
from musical Chorister/s, Section/s of Choristers of Choir/s, Choirs, musical Instrument/s, Sections of musical Instruments,

and families of musical Instruments

with same Pitch/es and other complementary Pitch/es

for Pitch Transposition/s within effective Pitch Ranges and expanded effective Pitch Ranges

of / between up to- and including all of the Octaves

for 100% audible New Music,

as of the full effect of New musical Choristers and New musical Instruments

from up to 20 Pitch / Tone articulations of those Pitches / Tones, of up to 20 Choristers -/ Instruments, 20 and 19 at a Time,

to say the least,

20 to the Power of 1, and 20 to the Power of 20, and 20 to the Power of 19...

to say the least,

of all of the appropriate Music Note Durations and all of the appropriate Music Dynamic Levels!

...my New Music A = 448

and all of the Transpositions / Tunings to- and from A = 448

for every one- and number of my Exact Temperament Tunings

for Mathematical Sets and Subsets of Music Tones of same- and other Pitch -/ Pitches of the same Octave -/ multiple Octaves

of musically appropriate dynamic Mix/es -/ Blend/s of the Dynamic Level-/s for 100% audible Performance Techniques / articulations, Tones,
from 100% audible 24 articulations, Tone articulations, of all of 24 consecutive Pitches,

as of -/ for every Pitch of two consecutive 12-Pitch Music Octaves as 12 half-Pitch Music Octaves as if 12-Tone Music Octaves,

to say the least,

as -/ for -/ of up to- and including 24 Tone articulations of a Chorister -/ Choristers -/ musical Instrument -/ musical Instruments,

to say the least,

for 100% audible non-repetitive Sets and Subsets of Music Pitches with same Pitches -/ Sets and Subsets of 24 of the same Music Pitches,

to say the least,

up to- and including as many, and more, Music Tone articulations as the number of Pitches for every Pitch of the Pitches

of / for the Audible Pitch Range,

as for / from 88... Tones of Voice of actors, and Voice actors, for live -/ recorded audio productions, as for videos -/ movies,

for beautiful, complementary Music Tones for every Pitch of a Chorister -/ Choristers with Pitch Range/s up to 8 Octaves,

to say the least!

New Website PRJSokolichNewMusic2026.webstarts.com !